Rian sort of set up a challenge not only for the filmmakers, but for the characters. At the end, everyone is left with almost nothing. So as a storyteller, you have to start using all your tools because you’re left with a lot of questions and not a whole of answers. So we had to recommit to a few aspects of the story and perhaps be a bit more inventive about what was going on in the galaxy.
This is how he dodges the question of when the Palpatine stuff entered the “plan,” when the answer is very clearly that it was never the plan and they had to pull the idea out of an old comic book to try and salvage (in their eyes) what Rian had left them by killing Snoke and Luke and erasing Rey’s origin mystery.
Star Wars finally did it. It may have taken over four decades—and at least four of those years promising it—but The Rise of Skywalker managed to depict queer characters in the galaxy far, far away on the big screen. It was…barely even a Baby Yoda step (better than Disney’s other representation attempt of 2019 in Avengers: Endgame), but it’s what surrounds that moment that makes it all the more frustrating.
As an internal affairs investigation heats up surrounding accusations that Lance is a traitor, a villainous plot is being hatched by the diabolical Killian (Ben Mendelsohn.) With every move this new bird and boy team make, they’ll have to outwit not only their own compatriots (Rashida Jones, Karen Gillan, DJ Khaled,) but also the villains they’re attempting to thwart.
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